Page 72 - Tata-Trusts-Annual-Report-2022-23
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GOING FORWARD                                               contemporary art community. The Tata Trusts Students’
                                                                                         Biennale awards also bring to the limelight the works of
                             •  Concluding the 3-month training course in the            exceptional student-artists and over the years, the Tata
                               conservation of textiles (ongoing), planning and          Trusts awardees have built successful careers as
                               implementing the 3-month training course in the           contemporary artists.
                               conservation of photographs, and planning and
                               implementing of the Masters in Art Conservation course
                               in partnership with a suitable Indian university.

                             •  Implementing the Students’ Biennale awards in the form
                               of international travel grants and national residencies.


                             •  Developing projects in art conservation and
                               film preservation.


                             BEST PRACTICES


                             •  Designing and implementing the three-month-long
                               training  courses  in  conservation  of  specific  materials
                               held across the five partner institutes under the Art
                               Conservation Initiative. Designed to impart intensive,
                               practical training in the conservation of specific
                               materials (like paper, oil paintings, wood, metals, etc.),
                               these courses aid practising conservators in specialising   CHALLENGES FACED
                               and honing their conservation  skills particular to     •  Planning and conducting six 3-month courses in
                               one material.                                             conservation across five institutes, while  taking into
                                                                                         account faculty availability, region-specific holidays, and
                             •  Giving fellowships in film preservation to allow          movement-related seasonal changes.
                               deserving  candidates  to   participate  and  learn
                               from international faculty  the best practices of       •  Despite organisational challenges faced during the main
                               film    preservation,  digital  preservation,  and         Kochi-Muziris Biennale, which resulted in a delay in the
                               object conservation.                                      opening of the main exhibition, the Students’ Biennale

                                                                                         exhibition was well-executed and launched on schedule.
                             •  Setting up the Students’ Biennale exhibition, which
                               engages, through an open call, with student-artists from
                               across Indian art colleges, allowing for the selected
                               students to produce works of art through production
                               grants, and exhibit them to a wide audience during the
                               4-month Kochi-Muziris Biennale. The students learn to
                               reflect on their artistic practice, get exposed to
                               exhibition-making, and engage with the wider



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